While hiking along the frozen mud slopes of the Lagoons and scanning the barren
and fog cloaked water for interesting landscape compositions, I was struck by
the Pollock-like nature of the still green grass splattered over the fresh layer of white
snow. I raised my lens vertically above the snow and framed-out any colors that did
not fit the canvas well. I paid more attention to the undergrowth, and later, in a dense
field of dead grass and broken trees, I crouched to ground-level and attempted at
warping perspective and thus the viewer's perception of the size of the grass.
The artistic potential of undergrowth cannot be overstated. Especially autumn leaves,
which themselves create both a portrait and a landscape because of their tones and
complexity. Ansel Adams has a famous photograph of a leaf that illustrates this point
well. He even developed it onto a door, somehow. There's something both intricate and
minimal about the things we step on.
Winnetka
Taken in December 2012
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